Theatre
as an art seems destined to be a museum piece or old relic. The signs
are clear. The great bureaucratic and economic complexity which exists
today between the simple formulation of a creative idea and its practical
realisation has lead to the protective intervention of the States with
their new neo-liberal model of cultural nationalisation.
Our
old theatrical profession is torn between assessors, advisory boards
and ministerial departments. Flea infested ruins have been substituted
by costly opulent buildings, but along the way something as essential
as obscenity and transgression has been lost. Today, any cultural representation
is in danger of receiving the National Theatre Award and this decadent
situation is the responsibility of the professionals who, in their stupid
vanity, have aspired to being something more respectable than simple
buffoons.
For
this reason "Don Josep" an old usher from the National Theatre,
already dilapidated and out of action, tries to resuscitate the art
of the theatre with a group of homeless people who represent "Rigoletto",
the character who Don Josep considers to be the symbol of theatre. They
are a profession of villains, buffoons, minstrels and clowns, the complete
opposite of the histrionic, intellectual realist actors, who have reduced
the profession to the point of converting it into an art for the institutions.
Albert
Boadella